Selected One-Person Exhibitions:
The Suburban, Oak Park
Mesler&Hug, Los Angeles
What’s left to its own devices (On reclamation), CASCO, Utrecht
Elevator/Or, Centre d’Art Santa Mónica, Barcelona, Elevator, Secession, Vienna
Bastard Science, Daniel Hug Gallery, Los Angeles
Banding Station, IBID Projects, London
Schindler Shelter, in conjunction with the exhibition project re-public relations. Parkhaus im Malkasten, Düsseldorf.
NOTINMYBACKYARD, Künstlerhaus Bethanien, Berlin
Casing, 7562 LR, Chicago
1/4 ton, ACME, Santa Monica
Selected Site-based Projects:
CityCat Project, commissioned by the University of Queensland Art Museum, Brisbane for the exhibition project Turrbal-Jagera.
Listening Post, commissioned by the Herning Kunstmuseum, Herning, Denmark for the exhibition project Socle du Monde
Untitled, commissioned for Rent-a-Bench, an exhibition project for public spaces in Los Angeles
Schindler Shelter, commissioned by the MAK Center for Art and Architecture, Los Angeles for the exhibition 20/35 Vision
Selected Group Exhibitions and Collaborative Projects (*catalogue):
Desertshore, Luckman Gallery at California State University Los Angeles
Katastrophenalarm, Neue Gesellschaft für Bildende Kunst, Berlin-Kreuzberg *
Biennale d’art contemporain de Lyon 2007, Lyon *
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals and more, Angles Gallery, Santa Monica
Ohio, Gahlberg Gallery, College of DuPage, Chicago *
Turrbal-Jagera, University of Queensland Art Museum, Brisbane *
Copylandia, in collaboration with GRATIS, Centro de Arte de Sevilla
The Lateral Slip, Sweeney Art Gallery, University of California, Riverside
World Watchers, Kunsthaus Dresden, Dresden *
Documents from the Land, Appendiks, Copenhagen
Groundhog Day, Pestorius Sweeney House, Brisbane
Kommando Pfannenkuchen, Daniel Hug Gallery, Los Angeles *
Spacemakers, in collaboration with The Suburban and Temporary Services/Brett Bloom. Lothringer Dreizehn, Munich
A More Perfect Union—Political Posters for the 2004 Election, Max Fish, New York, and The Suburban, Oak Park
World Watchers, Neue Gesellschaft für Bildende Kunst, Berlin-Kreuzberg *
Book Trade, Centre d’édition contemporaine, Genève, Switzerland
Rent-a-Bench, Trapholt Kunstmuseum, Kolding, Denmark *
Affinity Archive, The Metropolitan Complex, Dublin
Perspective 2002, Ormeau Baths Gallery, Belfast *
Layered Histories, Staatsbank (Plattform with Verein Berliner Künstler), Berlin *
Heaven Knows I'm Miserable Now, Low Gallery, Los Angeles
Charley, P.S. 1 Center for Contemporary Art *
New Settlements, Nikolaj Contemporary Art Center, Copenhagen
Stone Soup, Three Day Weekend, Los Angeles
Urban Hymns, Luckmann Gallery at California State University Los Angeles
Berlin/Berlin Biennale, “Plattform” section, Postfuhramt, Berlin-Mitte *
Baustop.randstadt,- collaborative project at Neue Gesellschaft für Bildende Kunst, Berlin-Kreuzberg *
Work & Progress, LACE, Los Angeles
Palace, Walkers Point Center for the Arts, Milwaukee, Chicago
Huge Garage Sale, curated by Swetlana Heger and Plamen Dejanov. MAK Center for Art and Architecture, Los Angeles
100 Photographs, American Fine Arts/Colin de Land Fine Arts, New York.
Junge Szene, (with Swetlana Heger and Plamen Dejanov), Secession, Vienna*
VI International Biennale, (with Swetlana Heger and Plamen Dejanov), Cairo
Affairs, (with Swetlana Heger and Plamen Dejanov), ICA, Vienna
Além da Água, (collective work organized by GRATIS), Guadiana River and El Museo de Arte Extremeño e Iberoamericano, Badajoz
Pension Stadtpark, Forum StadtPark, Graz
Selected Events, Performances and Presentations:
Manual Intuition and Makeshift Fashion, workshop, Casco, Utrecht
A Conversation with Sam Watson, Sr., University of Queensland, Brisbane
Schindler Shelter: Los Angeles and the Post-Traumatic Utopia, lecture/performance, The Institute of Modern Art, Brisbane
Schindler Shelter: Los Angeles and the Post-Traumatic Utopia lecture/performance, Department of Architecture, University of Queensland, Brisbane
Schindler Shelter: Los Angeles and the Post-Traumatic Utopia lecture/performance, School of Design and Built Environment, Queensland University of Technology, Brisbane
Schindler Shelter: Los Angeles and the Post-Traumatic Utopia, lecture/performance, Parkhaus im Malkasten, Düsseldorf. Organized by Horten.
A Modest Proposal, lecture/performance, MAK Center for Art and Architecture at the Schindler House, Los Angeles.
Union Pacific, lecture/performance, The Museum of Contemporary Art, Los Angeles.
Hatching Escapes, lecture/performance, MAK Center for Art and Architecture at the Schindler House, Los Angeles. Organized by the Los Angeles Forum for Architecture and Urban Design.
Making Way, lecture/performance, Kunstverein Düsseldorf.
Union Pacific, collaborative presentation/performance with Diedrich Diederichsen and Jochen Becker, b_books, Berlin.
3 Days Is What I Say, lecture/performance, MAK Center for Art and Architecture at the Schindler House, Los Angeles. Organized by the Los Angeles Forum for Architecture and Urban Design.
Retinal Tear, multimedia performance, Los Angeles Contemporary Exhibitions
Abriendo la Piñata, collective event, Rhona Hoffman Gallery
Expert Witness, multimedia lecture/performance, Forum Stadtpark, Graz, Austria
Hardly Rains, performance, MAK Center for Art and Architecture, Los Angeles
Loving Las Vegas, reading, Whiskey Pete’s Casino, Primm, Nevada
Selected Writings and Publication Projects:
Left. Artist book. Casco Office for Art, Design and Theory and Sternberg Press,
“Some notes on language in research”. Essay published in M makhuzine: journal of artistic research, Utrecht Graduate School of Visual Art and Design, Utrecht, Winter 2007.
Elevator, catalog for exhibition at Secession, Vienna. Published by Secession, Vienna and Centre d’Art Santa Monica, Barcelona, Vienna: 2006.
Listening Post, contribution to the catalog for the exhibition Socle du Monde, published by Herning Kunstmuseum, Herning, Denmark. Herning: 2004.
“Schindler Shelter”. Multimedia project published by the Los Angeles Forum for Architecture and Urban Design (see www.laforum.org/features.php) in conjunction with Archinect (www.archinect.com), 2001.
"This Town". Essay published in Yours Truly, Jacob Fabricius, ed., Pork Salad Press, Copenhagen: 2000.
Union Pacific: Berlin’s Neue Mitte and the Fringes of Las Vegas. Book published by Künstlerhaus Bethanien, Berlin, and Philip Morris Kunstförderung. München: 1999.
"Hell Niño". Essay published in X-tra, vol. I, no. 3, Los Angeles, December 1997.
"New York, New York New York, Oklahoma City". Essay published in X-tra, vol. I, no. 2, Los Angeles, June 1997.
"The Unmaking of Metropolis". Translation into Dutch of “A Conversation with Diedrich Diederichsen,” from Union Pacific: Berlin’s Neue Mitte and the Fringes of Las Vegas. With an introduction by the editor, Dieter Roelstraete. Published by Centrum voor Beeldcultuur v.z.w. in Anderes Sinema #154 [“Berlijn”], April, May, June 2000 issue, Antwerp.
“What Jorge Pardo has paid me $500 to write down”. Commissioned text for a book/exhibition project by Jorge Pardo. Published by Friedrich Petzel Gallery. New York: 1994.
Bibliography—Catalogs and books:
Jan, “TBD” in What’s Left. Casco and Sternberg Press, Berlin: 2008.
Larsen, Lars Bang, “Cosmology of Composites: Mixing and Making in Dave Hullfish Bailey”, in What’s Left. Casco and Sternberg Press, Berlin: 2008.
Fabricius, Jacob, “Dave Hullfish Bailey” in Lyon Biennial 2007, 00s—The History of a Decade that has not yet been Named, JRP/Ringier, Zurich: 2007.
Grabner, Michelle, “Ohio: Chestnuts and Social Benchmarks” in Ohio, College of DuPage, Glen Ellyn: 2007.
Pethick, Emily, “Dave Hullfish Bailey” in Elevator, Secession, Vienna and Centre d’Art Santa Monica, Barcelona, Vienna: 2006.
Neuburger, Susanne, “’A Division of’—The Site of the Elevator” in Elevator, Secession, Vienna and Centre d’Art Santa Monica, Barcelona, Vienna: 2006.
Ward, Janet, “Las Vegas on the Spree: The Americanization of the New Berlin” in Visual Culture in Twentieth-century Germany: Text As Spectacle, Gail Finney, ed. Indiana University Press, Bloomington: 2006
Tumlir, Jan, “The Lateral Slip”, published at http://sweeney.ucr.edu/exhibitions/lateral/
Klein, Norman, interview excerpts and photographs published in From the Vatican to Vegas: the History of Special Effects, New Press, New York: 2004.
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni, Ali Subotnik, eds., Charley 01, Les presses du reél, Dijon: 2002
Fabricius, Jacob, "A Conversation with Dave Bailey", in Interferencies: Local Context/Real Space, edited by Martí Peran and Pilar Bonet. Barcelona: 2002.
Kremeier, Ulrike, "David Hullfish Bailey", in Layered Histories (catalog), Berlin: 2002
Fabricius, Jacob and Sarah Pierce, Perspective 2002 (catalog), Ormeau Baths Gallery, Belfast: 2002
Darling, Michael, Gimme Shelter, published online by the L.A. Forum for Architecture and Urban Design at: http://laforum.org/features/bailey/comment.html, 2001
Kate, “Biennale de Lyon 2007”, Artforum, January 2008, New York.
Gronlund, Melissa, “9th Lyon Biennial: 00s - The History of a Decade That Has Not Yet Been Named”, ArtReview, Issue 16, November 2007.
Reyes, Juan Antonio Álvarez, “Cambio de roles”, Arte, número 817, 29 Septiembre, 2007. Online at http://www.abc.es/abcd/noticia.asp?id=8080&num=817&sec=36
Chevalier, Catherine, “Dave Hullfish Bailey, Queensland University, Brisbane”, Frog No. 5, Spring-Summer 2007, Les Presses du Réel, Paris.
Comer, Stuart, in “Looking Back: Emerging Artists”, Frieze, Issue 104, January-February 2007, London.
Benzer, Christa, “Dave Hullfish Bailey: ELEVATOR”, Springerin, No. 3, July 2006, Vienna.
Pethick, Emily, in “Looking Back: Solo Shows”, Frieze, Issue 96, January-February 2006, London.
Tumlir, Jan, “David Hullfish Bailey at Daniel Hug Gallery”, Artforum, November 2005, New York.
Larsen, Lars Bang, “Dave Hullfish Bailey”, Frieze, Issue 95, November—December 2005, London.
Pethick, Emily, “Los Angeles Dreams”, Untitled, May/June 2005, London.
Kline, Christina, untitled review of “The Lateral Slip”, Artpapers May/June 2005, Atlanta.
Pethick, Emily, “Critics’ Picks”, artforum.com, December 2004
Vorwoert, Jan, “Socle du Monde”, Frieze, December 2004, London.
Seidel, Florian, Bauwelt, September 2004, Berlin.
Rundfunk, Bayerisch, BR-Online, September 2, 2004
Gotz, Henning, Go Munchen, September 19, 2004, p. 77
Schwarz, Franziska, SzeneMagazin, September 9, 2004
Dattenberger, Simone, Munchener Merkur, August 27, 2004
Huber, Cornelia, AZ Wochenende, August 22, 2004
Schneeberger, Ruth, Munchner Kultur, August 21, 22, 2004
Eisenack, Marco, SZ-Extra, August 2004, p. S1
Krag, Ferdinand Ahm, “Besat af Herning – Bortført I Ikast”, Information, 2 July 2004
Grunnet, Lise, “Fuglesprog og verdensblik”, Herning Folkeblad, 4 June 2004
Grunnet, Lise, “Find en fuglehule”, Herning Folkeblad, 4 June 2004
Diederichsen, Diedrich, “World Watchers, NGBK”, u_Spot, February 2004
Ohnemus, Melanie, “Der Inszenierte Zweifel”, Texte zur Kunst, March 2004, No. 53
Scharrer, Eva, “Critics’ Picks”, artforum.com, February 2004
Fricke, Harald, “Nicht einverstanden sein mit dem Unrecht” taz, 18 December 2003
Tumlir, Jan, "Visitation Rites: A Conversation with Dave Bailey", artext, February 2002
Wood, Eve, "Naked Bunch”, artnet.com, May 22, 2002
Larsen, Lars Bang, “New Settlements”, artext, No. 74, August—October 2001
Kern, Kristine, “New Settlements”, Nu: The Nordic Art Review, No. 3-4, 2001
“New Settlements @ The Nikolaj”, FlashArt No. 218, May-June 2001
Kronsted, Peter, “Moderne boformer”, JP København, March 26, 2001
Kern, Kristine, “Kritisk kunst”, Politiken, March 31, 2001
Misfeldt, Mai, “Nye måder at bebo verden”, Berlingske Tidende, April 10, 2001
Kristensen, Pernille Anker, “Kunstens slumstormere”, JP København, April 19, 2001
Wieder, Axel John, “Descriptive Models from the Outside: On the Works of David Hullfish Bailey,” BE Magazine #6, Berlin, 2000
Roth, Charlene, "'Urban Hymns' at the Luckman", Artweek, June 2000, pp. 23-24.
Diederichsen, Diedrich, “Best of 1998” (review of Baustop.randstadt,-), Artforum, Dec. 1998
"Plattform, im Rahmen der Berlin/Berlin Biennale", taz, October 10/11, 1998, p. 30.
Uwe, “Gegenwart und Zukunft der Stadt als Schleudersitz,” die tageszeitung,
09.04.1998, p. 24
Bulka, Michael, “Matthew Girson et al,” C-magazine, Toronto, May-August 1998, p. 47.
Murphy, Mary, “Alternative Art Spaces in Chicago,” Dialogue, May/June 1998, pp.29-31
Wiens, Ann, “On View: Chicago; Alternative Exhibition Sites/Non-sites,” New Art Examiner, May 1998. pp.42-43.
Grabner, Michelle, “The Eagle Rock Show,” X-tra, volume 1, number 3, fall 1997
Wilson, William, “‘Progress’ Offers Likeable Sculpture,” Los Angeles Times, August 12, 1997
Carley, Michal Ann, “Palace,” New Art Examiner, May 1997
Smith, Roberta, “100 Photographs,” The New York Times, December 27,1996
Selected Grants and Fellowships:
Fellowship/California Community Foundation Individual Artist Fellowship (2008)
Durfee Foundation, ARC Grant, Santa Monica (2007)
Durfee Foundation, ARC Grant, Santa Monica (2006)
Art Center Faculty Development Grant (2006)
Artist Grant, Philip Morris Kunstförderung, Munich (1998)
Residency Grant, Künstlerhaus Bethanien, Berlin (1998)