ERIKA VOGT

Born         New Jersey, 1973

Education

2003         California Institute of the Arts, MFA
1996         New York University, BFA             

Solo Exhibitions

2008         Daniel Hug, Los Angeles, CA

Group Exhibitions/Film Screenings

2008        California Biennial, Curated by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA
                Fruit Farm Film Festival, McMinnville, Oregon
               “The Last Show”, Black Dragon Society, Los Angeles, CA
               “Imaginary Thing”, Curated by Peter Eleey, Aspen Art Museum    
               “The World Is All That Is The Case”, Curated by Arthur Ou, Hudson Franklin, New York, NY
    
2007       “Carte Blanche”, Curated by Jenny Moore, Elizabeth Dee, New York, NY
               “Circumventing the City”, Curated by Rachel Uffner, D’Amelio Terras, New York, NY
               “Films Around Photography”, Curated by James Welling, Billy Wilder Theatre, Hammer Museum, Los Angeles, CA
               “Les Temps modernes: collection du Frac Bretagne”, Centre d’art contemporain, Bignan, France
               “Shared Women”, Curated by Eve Fowler, Amy Steiner, and Emily Roysdon, LACE, Los Angeles, CA
                    
2006       “Cataract”, Wallspace, New York, NY  
               “Film as Event”, Curated by Sharon Lockhart, Artists Cinema, Frieze Art Fair, London
               “Bunch Alliance and Dissolve”, Curated by Public Holiday Projects,  Contemporary Arts Center, Cincinnati, Ohio (catalogue)
               “The Fantasy of Failed Utopias and a Girl’s Daydream”, Curated by Susanne Winterling, Program traveled to: State Center of
                Contemporary Art, Moscow Stedelijk Museum CS, Kuenstlerhaus Stuttgart, Galerie Meerrettich, Berlin
                “Tomorrowland: CalArts in Moving Pictures”, Curated by Joshua Siegel,
                 Museum of Modern Art, New York, NY
                “Too Much Love”, Curated by Amy Adler, Angles Gallery, Santa Monica, CA
                “Imaginer Los Angeles”, Curated by Dorothee Deyries, Centre Pompidou, Paris, France

2005        “Xmas in July”, Curated by Parker Jones, Black Dragon Society, Los Angeles, CA
                “Visual Noise”, Curated by M. Victor, Happy Lion, Los Angeles, CA
                “Hyperfocal”, Curated by Alain Cueff, Galerie Nelson, Paris, France (catalogue)
                “Pictures Are the Problem”, Curated by Walead Beshty, Pelham Art Center, Pelham, NY

2004        “City Songs”, LUX, London, England
                “History? What a Nice idea! Maybe we should try it.”, Curated by David Thorne
                  The James Bridge Theater, UCLA, Los Angeles, CA

2003        Nouveau Cinema/Nouveaux Medias, Montreal, Canada
                Viennale, Vienna, Austria
                Microwave Media Arts Festival, Hong Kong
                Art in General, New York, NY
               “Selections from the Viennale”, Anthology Film Archives, New York, NY
                Director’s Citation, Black Maria Film & Video Festival, NJ
                Dallas Video Festival
                                     
2002        Viennale, Vienna, Austria

2000        Dallas Video Festival
                Women in the Director’s Chair, Chicago, IL
                            
Bibliography     
               Taft, Katherine, Art Review, Issue 24, July-August, 2008
               Moshayedi, Aram, Art Papers, July-August, 2008
               Myers, Holly, “Around the Galleries”, LA Times, May 23, 2008
               Fanconti, Dana and James Welling, Ed., Blind Spot, Issue 37, Spring 2008
               Smith, Roberta, "In These Shows, the Material Is the Message", New York Times, Art Review, August 10, 2007
               Bentley, Kyle, “Associate Property”, Artforum, February, 2007
               Comer, Stuart, “Looking Back: Emerging Artists”, Frieze, January-February, 2007, Issue 104

Public Collections
               Fonds régional d'art contemporain Bretagne

Grants/Fellowships

2002        Professional Development Fellowship, College Art Association, New York, NY